In 1930 Camus
suffered a serious attack of tuberculosis, an illness which eventually forced
him to abandon his plans for an academic career. His first publications began
to appear two years later in Sud, a minor literary magazine founded by
one of his friends at the lycée d’Alger.6 It is tempting to see his literary
preoccupations at this time in terms of his illness: tuberculosis was a
revelation of the sudden possibility of death and a reminder that life, which he
loved so much, was finite. However, Lottman tells us that Camus’s desire to
write dates from when he was 7 years old,7 and Camus himself liked to stress the
specifically literary origins of some of his early works, citing Gide,8Grenier,9and
André de Richaud.10 Whatever one’s own view of this, by the time Camus
published L’Enverset l’endroit in 1937, literary and personal experiences
had combined to produce a body of thought which strives to demonstrate that
love of life and lucid awareness of the finality of death are logically
compatible attitudes to life. Death may well render life meaningless, but it
also renders it precious.
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