The Fall (Albert Camus)

Soon after publishing The Fall, Albert Camus won the Nobel Prize for Literature. On the strength of this book alone, he deserved it. As a novel, The Fall improves upon its two predecessors, The Stranger and The Plague, in almost every way. The writing itself is much more confident, full of scathing wit and eloquent outrage. The intertwining of artistic aim and philosophical conviction is utterly seamless. Neither is compromised, as they were at times in the earlier works. Rather, both art and philosophy are employed here to serve the STORY. In short, The Fall delivers on what Camus had always promised- a masterful work of literature that also FORCES the reader to examine his/her life.

Jean-Baptiste Clamence is a "good guy." He uses his abilities as a lawyer to protect the poor and weak. When asked, he helps blind people across the street. Wherever one finds a righteous cause, he appears to support it. He is a well-respected member of the community. Could one truly find SERIOUS fault with such a person?

Well, as of late, Clamence has had a slight problem: he has felt the need to be honest, both with others and himself. The truth often leads people to strange places, and so Clamence, formerly rich and recently disgraced, finds himself at a sailors' bar in Amsterdam. Here, he finally comes clean about his life and his actions (one and the same, possibly?). He's no criminal, surely not, or not the WORST kind anyway. His crime is much more insidious, and it consists of what we are all guilty of: he is two-faced. His purest acts of selflessness are actually forms of self-deception, for they mask that in the end, he is really satisfying himself. The purest altruism hides a secret loathing of those he "helps"; the deepest, most self-sacrificial love conceals a seething desire to dominate.

In this dingy bar, Clamence unburdens himself, not just of his "crimes," but of the author's (catch the quote at the beginning of the book) and humanity's too. Only a strong (and dishonest) reader can finish this book without cringing in self-recognition at the daily hypocrisies that add up to the modern human condition. Camus does not necessarily counsel despair though. At different points in The Fall, one can see the ever-present potential of humanity to better itself. What Camus does doubt though is the general willingness of people (himself included) to make the personal choices needed to truly bring ABOUT this "betterment."

The Fall is not entirely bleak reading. In several places, it is laugh-out-loud funny (No! Surely not sober Camus...), displaying the humour of a barroom Voltaire. Moreover, few could fail to delight in the sheer craft and elegance of the author's prose. Still, the book does raise searing questions about how to live (or waste) one's life. If one has been "sleepwalking" before reading The Fall, it will be almost impossible to do afterwards. Wake up with this brilliant, unsparing slap in the collective face of mankind. (Amazon.com)

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